domenica 23 ottobre 2016

Best Actress in a Supporting Role 1994: Helen Mirren in The Madness of King George

Helen Mirren received her first Oscar nomination for her performance as Queen Charlotte in The Madness of King George.


The Madness of King George is a pretty good film that depicts King George III's descent into insanity and his eventual recovery, as well as the political intrigues that happened during that time. I wouldn't necessary call it a truly great movie and I think it takes its time before becoming truly interesting, but overall it's still a rather effective experience with some memorable highlights. I think Interview with the Vampire should have won the Oscar for Best Production Design, but I wouldn't say this movie was unworthy of its win. The supporting cast is uniformly fine, with the standout being Ian Holm who brings the right amount of energy to his role as Dr. Willis. Rupert Everett definitely gives a rather over-the-top performance but I think it works for the character he plays. 

As I expected, Queen Charlotte is not a particularly complex or original role. She embodies the archetype of the suffering but loyal and supportive wife: it's a sort of role that gives an actress the opportunity to show off her dramatic talent as it often gets a good deal of teary-eyed, emotional scenes but it's just as often a rather standard and limited role that is rarely in depth. The writing behind the character of Queen Charlotte is nothing truly remarkable and it suffers a bit from its predictability: Helen Mirren might not truly overcome the limitations of the role but thanks to her undeniable talent she manages to leave an extremely strong impact.

First off, Mirren is just perfectly cast in the role: her innate grace and elegance makes her an ideal choice for the role of a queen (no wonder she was nominated twelve years later for another performance as a member of the royal family) and even when she is doing or saying very little she still quietly impresses because of the calm dignity she brings to the role. She doesn't even share that much screen-time with Nigel Hawthorne (who plays the King) so the relationship between the two characters could have easily fallen flat considering how little time the actors have to develop it. Thankfully, the two actors share together a brilliant chemistry that makes the affection between the King and Queen never in question: on her part, Mirren is particularly excellent in their more intimate moments as she downplays the character's poise and refinement and instead shows a much warmer side of her - their few moments alone stand out because they are purposefully rid of the artifice that is present in their scenes at court and the two actors perfectly realize it, consequently adopting a more subtle acting style. Mirren also does a great job at conveying her character's growing concern over her husband's increasingly more puzzling behavior and she delivers a very convincing portrayal of a woman struggling to mask her worry behind her proper façade. In my opinion the highlight of her performance is the scene in which her husband accuses her of having an affair with their son: Mirren is heartbreaking as she portrays her character's shock and disbelief at the accusation as well as her plight as she witnesses her husband's insanity. She finds another extremely moving moment in the following scene when she begs her son to let her see her husband and he refuses: Mirren perfectly captures on-screen her character's disillusionement as she finally sees her son's callousness and viciousness and she impressively conveys her character's desperation due to her husband's apparent fate.

Her character unfortunately is a bit tossed aside throughout the rest of the movie but Mirren still finds some extremely powerful moments whenever the movie focuses on her. She is very touching at portraying her character's pain and I particularly love the brief moment in which she whispers "Mr. King" as she sees her husband being carried away - simply heartbreaking. But what I appreciate the most about her performance is the quiet strength she brings to Queen Charlotte, who is determined to have her husband back: there is a fire in her performance that makes it compelling and captivating to watch. Her reunion with her husband is another excellent moment in her performance made especially powerful by the excellent chemistry between the two actors - with a few exchanged looks they manage to convey more than many other actors do in over an hour. Towards the end of the movie Mirren is, again, tossed aside but she is still wholly solid in the role and her final scene with Hawthorne is a rather sweet, heartwarming one. 

To sum up, this is not an amazing performance because of the role's heavy limitations, but within those Mirren manages to thrive: she brings a royal elegance to the court scenes and a warm delicacy to the more intimate ones and she brings to life a potentially stock character. It's a nice, moving and remarkable performance from an outstanding actress. 

4/5

11 commenti:

  1. Had a gut feeling she'd get a 4. I really should check this film out, if only for Hawthorne, who is by all accounts, great.

    RispondiElimina
  2. Standard British royalty film but I do like it for what it is. Mirren I remember being perfectly solid in her usual Mirren fashion.

    RispondiElimina
    Risposte
    1. "Mirren being perfectly solid in her usual Mirren fashion". That sums up her performance pretty much perfectly.

      Elimina
  3. Its a nice work from Mirren although i had mini problem with her and that was her accent, which was weird at times. I do think that she is an amazing actress overall but the general probelm with her is that she usually plays a really cliched, meh or simply said badly written characters, just like here or for an example in Trumbo, Woman In Gold, Last Station..and she tries her best to make something out of them, but they are simply to limited or badly written. On the other hand when there are better roles she is breathtaking>>THE QUEEN, GOSFORD PARK...

    RispondiElimina
    Risposte
    1. You're right the accent is a bit inconsistent but I have to admit it really did not bother me. I also have to say I usually enjoy Mirren even when the role is not that good.

      Elimina
  4. Ratings and Thoughts on Holm and the rest of the cast?

    RispondiElimina
    Risposte
    1. Holm - 4 (It's not a particularly nuanced role and the movie doesn't focus on his character's relationship with the lead as much as, for example, The King's Speech focuses on Firth's and Rush's relationship. Still, Holm shares a strong chemistry with Hawthorne and he brings the right amount of energy and passion to his part. It's a nice supporting performance)

      Everett - 3.5 (I think the movie wasn't really going for a realistic depiction of his character so I think his over-the-top approach worked for the most part. He was properly smug and shallow in the role while being a rather entertaining presence as well. Nothing groundbreaking, but I liked him)

      Carter - 3 (He's just fine but I don't think the role is anything that special. He does well with what he is given but that's not saying too much. On a side note, he's wonderful in Downton Abbey)

      Donohoe - 2.5 (She was completely fine in the role but I think she didn't have that much to do. When the movie was over I have to admit I found the focus on her character a bit pointless actually as it's not written as anything particularly noteworthy yet it's given quite a good amount of screen-time)

      Everyone else is just fine but nothing remarkable.

      Elimina
  5. Giuseppe: Without spoiling future reviews, who are your top 10 Female leading and supporting performances?

    RispondiElimina
    Risposte
    1. Female Lead (Only counting un-nominated performances):

      1. Vanessa Redgrave - The Devils
      2. Isabelle Adjani - Possession
      3. Joan Fontaine - Letter from an Unknown Woman
      4. Teresa Wright - Shadow of a Doubt
      5. Simone Signoret - Madame Rosa
      6. Setsuko Hara - Late Spring
      7. Nicole Kidman - Dogville
      8. Tang Wei - Lust, Caution
      9. Ingrid Bergman - Notorius
      10. Anne Dorval - Mommy

      Female Supporting (Considering un-nominated or reviewed performances):

      1. Nastassja Kinski - Paris, Texas
      2. Simone Signoret - Room at the Top
      3. Olivia De Havilland - Gone with the Wind
      4. Anne Bancroft - The Graduate
      5. Angela Lansbury - The Manchurian Candidate
      6. Kathleen Byron - Black Narcissus
      7. Maria Casares - Orpheus
      8. Mia Kirshner - The Black Dahlia
      9. Linda Hunt - The Years of Living Dangerously
      10. Nicole Kidman - Eyes Wide Shut

      I decided to include both Signoret and Bancroft because even if I didn't review them yet I still nominated them in my supporting ballots so I don't think I'm spoiling much of anything.

      Elimina
    2. I don't know how I forgot her, but Setsuko Hara in Tokyo Story would be 3rd on my supporting ranking.

      Elimina